A dropped network cannot stop a show
Once a show is loaded, GO, sequencing, timing, fades and crossfades all happen on your machine. Unplug the building and keep going.
Local-first show control
StageMix is professional audio playback for theatre, dance, worship, conferences and events — built so that when you press GO in front of an audience, the right sound plays at the right moment, at the right level, whether or not the building has Wi-Fi.
Standing by
1Pre-show playlist
Fade under as house lights go
Active cues
Interactive preview of the real interface. It does not play audio.
Most show-control software asks you to learn a profession before you can play a doorbell. Most soundboards cannot crossfade two pieces of music without a fight. StageMix is built for the enormous middle ground: schools, churches, dance schools, awards evenings, community theatre and touring productions that need the real thing without the week of training.
Once a show is loaded, GO, sequencing, timing, fades and crossfades all happen on your machine. Unplug the building and keep going.
StageMix never uploads your show audio. The optional cloud backup stores the cue list and what files it expects — never the files.
Cues are scheduled against the audio hardware's own clock, not a JavaScript timer, so an auto-follow lands where it should even under load.
Auto-continue and auto-follow explained in plain words, with the consequence shown next to the setting rather than hidden in a manual.
Stop All silences every cue and cancels everything pending. It never touches your cue list, so you can carry straight on.
Space is GO. It will not fire while you are typing in a field — not in a cue name, not in a note, not in a search box.
Crossfades
Pick the cue to fade out, set how long each side takes, and how much they overlap. StageMix uses an equal-power curve by default, which is the shape that keeps the level steady through the middle instead of sagging the way two linear fades do.
No automation cues to chain together. No fader envelopes to draw.
| Cue | Name | Type | After it fires | State |
|---|---|---|---|---|
| 12 | Scene change music | Audio | Auto-follow | Playing |
| 13 | Wait — 2.0 s | Wait | Auto-continue | Ready |
| 14 | Fade 12 out over 4 s | Fade | Select next | Ready |
| 15 | Applause | Audio | Do nothing | Ready |
Cue list
Audio, Group, Wait, Fade, Stop, Pause, Note and Go-to. Each one says what it will do next in words, and StageMix checks the whole list before you run it — a fade pointing at a deleted cue, an auto-follow on a loop that never ends, a Go-to with nowhere to go.
Waveform
StageMix reads your file and draws its actual waveform. Set the start and end, drag the fades, mark the loop. Every edit is non-destructive — the file on your disk is never written to.
Cue Cart
Applause, stings, bells, buzzers, walk-on music. Big labelled pads with their own hotkeys, playing independently of the cue list — which is what makes StageMix work for an awards night as well as a play.
StageMix installs as an app and keeps your loaded shows on the machine. There is no server call on GO, no database query between cues, and no licence check that can interrupt a performance. If a subscription lapses mid-show, the show carries on — plan limits apply when you are editing and syncing, never when you are running.
Preload Show
Decodes what the show needs before the house opens, inside a memory budget rather than all at once.
Show Check
Confirms every file is present, decodes in this browser, and every cue points somewhere real.
Autosave and versions
A crash costs seconds. Label a snapshot for the dress and restore it later.
Updates wait
If a new version arrives during Show Mode, StageMix tells you afterwards. It never reloads under you.
That is the whole of StageMix’s design brief.